music mondays: record store day

I will begin this post with an assessment (fine, judgment, whatever) of The types of buyers you may observe on Record Store Day:

Old dudes who are still kinda cool.
Probably bought: Phish New Years Eve 1995

Old dudes who live in basements and are hella creepy.
Probably bought: Metallica

Scene kids.
Probably bought: The White Stripes and secretly bought that Twenty Pilots album shaped like Ohio.

Clueless girl.
Probably Definitely bought: T Swift 1989 (I wanted to grab this from her hands and just say “NO. GO HOME.”)

Mid 30s single friends who are mostly concerned with where brunch will be later.
Probably bought: Built to Spill. The hip friend may have picked up Run The Jewels. The non-hip friend secretly bought Mumford and Sons.

Late 20s girl who came alone and is trying to discreetly eat a donut in line (AKA me)
Definitely bought: Otis Redding’s 50th Anniversary edition of Otis Blue, Ryan Adams 7 inch, and in a last minute decision, Dolly Parton’s bluegrass album.

rsdI’ve participated in Record Store Day in the past, but this was the first year I ended up waiting in a line, unexpectedly. I wanted Otis Blue and had plans at 10am, so decided I’d go to Spoonful Records in downtown Columbus before that. I knew Spoonful was having a food truck and giving away some stuff, but honestly, I didn’t expect the line around the corner that I found myself in at 9am. I (correctly) assumed they wouldn’t have many copies of Otis Blue (3, I think) and wanted to make sure I got one. Most likely, the three records I did buy would have been there on Sunday, but, it’s about the day, right?

The RSD anniversary edition of Otis Blue includes both mono and stereo LPs, and a replica-style 45 featuring “I’ve Been Loving You Too Long” and “I’m Depending on You.” It rang in at $45, but because Otis and I have history, I shelled out. And I have no regrets. I heard the opening brass on “Ole Man Trouble” and knew I’d bought something special.

I don’t think I was born in the wrong decade in terms of musical taste. Because, while I love soul and Motown, I also love synth pop and hip hop, and in 2015, I get to have it all. But, what Record Store Day often does is give me a glimpse into what it was like to anticipate a new LP coming out–going down to your local record store and hoping they hadn’t sold out already. MP3s make everything instant, and we lose some of the magic when we don’t have to break the plastic seal on a new record. Vinyl might be a trend for some, but for the rest of us, it’s classic, and we’ll keep buying if you keep pressing.

music mondays: chet faker and some first listens

Chet Faker‘s first full album, Built on Glass, came out last week. You probably know him for his cover of Blackstreet’s “No Diggity”, a crowd favorite for sure.

Faker is an electronic musician with a soulful side. If you didn’t guess, his performance name is an homage to jazz musician, Chet Baker.

“1998” is my favorite track on this album.

It’s got this great beat that makes me want to dance every time I listen. After the opening verse, he repeats the same verse for about 5 minutes (they cut down for the video apparently). Some of you might find that annoying. But, if you think of Chet Faker as an electronic musician first, it makes sense that he may be less focused on lyrical content. That said, I’m sure most people can relate to his lament:

We used to be friends
We used to be inner circle
I don’t understand
What have I become to you
Take my good word
Turn it backwards
Turn your back on me
Is it absurd
For me to hurt
When everything else is fading

“To Me” is another favorite that gets more soulful. This isn’t an album with a ton of depth, but it’s got some good beats and has been fun to listen to.

NPR Music just opened up the gauntlet recently with the number of First Listens it released. You guys know I’m not generally a country music fan, but I got mad love for Dolly Parton. “Jolene” is probably one of my favorite songs of all time. Basically, Dolly can do no wrong. She’s got a pretty wide variety on Blue Smoke, too. Covers, classics, and new stuff that leans to the pop country sound of today.

I was really excited to see Lykke Li’s new album, I Never Listen, up on First Listen. I heard “No Rest For The Wicked” a couple weeks ago, and liked it immediately.

Wounded Rhymes was such a dark, powerful, slightly scandalous album, and I really enjoyed it, but am looking forward to this more familiar sound from Lykke Li. “Gunshot” is an early favorite. It has this great 80s sound that catches you off guard.

Nikki Nack, the third album from tUnE-yArDs, is out there too. I haven’t listened too closely yet to Merrill Garbus’s latest, but I expect weird, poptastic tracks with worldly influences.

Lastly, I haven’t made it to Lighght, the newest from Kishi Bashi, at all yet, but look forward to giving it a listen. If you like strings, I recommend you do as well.

Happy listening.

Update: Chet Faker was on World Cafe on April 30. I always enjoy hearing an artist talk about their music firsthand, so take a listen.